I Giorgio Agamben fries an egg I (D6), installation, 2015
I Giorgio Agamben fries an egg I (a pawn and a queen) , documentation of the performative journey, 2017
Breakfast that comes, video, 2015
I Giorgio Agamben fries an egg I (D6), installation, 2015
I Giorgio Agamben fries an egg I (a pawn and a queen) , documentation of the performative journey, 2017
Breakfast that comes, video, 2015
Piece For Resistance. Other's Dialogue on Revolution, site-specific performatif dispositif, Moscow, 2014
Piece For Resistance. Other's Dialogue on Revolution, site-specific performatif dispositif, Moscow, 2014
Visitors of an exhibition space are suggested to 'do nothing'
2021
performance
exhibition 'In the Long Blink of an Eye', HISK -Gosset site, Brussels, curated by Daniella Géo
Images by the artist
Visitors of an exhibition space are suggested to 'do nothing'
2021
performance
exhibition 'In the Long Blink of an Eye', HISK -Gosset site, Brussels, curated by Daniella Géo
Images by the artist
Ekaterina Vasilyeva artiste
Katya Ev
(ekaterina vasilyeva)
У.Р.А.Л. (Ural river), 2010
photography, variable media,
variable dimensions
ed.1+1AP
courtesy of the artist
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« The reason to pass over the River appears in the very beginning of the novel, when Petya Void, who is walking through cold Moscow during the Revolution, meditates on the fact that « Russian souls are not destined to cross Styx when it is frozen, and it is not a ferryman who gets a penny, but "someone in grey" who rents a pair of ice-skates»*.
У.Р.А.Л. (russian - Ural), the «Conditional River of Absolute Love», is an the abbreviation coined by Victor Pelevin in his famous postmodern novel «Chapayev and Void» (1996). Pelevin plays with the name of one of the biggest Russian rivers, Ural, that conventionally is considered to separate Europe from Asia, the fondamental break for Russian identity.
* Alexander Zakurenko, Structure and Origins of the novel «Chapayev and Void» by Victor Pelevin, 2005