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Axe de Révolution

live performance, streets of Moscow, 17 hours - 45 kilometres,

2014

 

unique

courtesy of Katya Ev & Hanna Zubkova

ph Roman Chudarev, Katia Isaeva, Metro News, Moskva 24, Andrey Pozdniakov, Vedomosty

The live performance Axe de Révolution has expanded into a homologue body of works, sharing the same title (2014/2019) incl. film, photographs, sculpture, email, neon, print editions.

 

The performance took place as an unauthorized action in public space, akin to an individual political protest. The artists took significant risks, as political actions in Russia are met with arrests and prison sentences. The work was produced independently, without any institutional framework, festival or event.​​

Action: Two people are carrying an iron profile pipe with a rectangular cross-section on their shoulders. The pipe's length is several times greater than their bodies

Place: Moscow

Date, August 10, 2014 

Start: 5:50 AM [sunrise] — 84th kilometer of the Moscow Ring Road (MKAD) (intersection with Altufyevskoye Highway)

End: 11:30 PM — 33rd kilometer of the Moscow Ring Road (MKAD) (intersection with Varshavskoye Highway)

Route: From the northernmost point of the Moscow Ring Road to the southernmost point, along an axis perpendicular to the projection of the Sun’s path, from sunrise to sunset. The Sun will be at its zenith at the moment of passing through Revolution Square, (geographical center of the city)

Length of route: 45 km

Average speed: 3 km/h

Travel time: 17 hours

Carried object: profile iron pipe, 60 x 40 x 6000 mm, purchased from a local construction supply store

Direct viewers: estimated over 10 000

Online announcement: statement by the artists, publicized only one day before for safety reasons

​"Axe de Revolution (2014) is a 17-hour performance, during which the artists silently walked through Moscow from the very North point of it on the orbital highway to the very South point, carrying a 6 meter long 13,5 kilo heavy metal structural element of rectangular section. While the Sun was moving from the East to the West, they were heading forward along a straight 45 km long line through the city,  synchronizing their way across Moscow’s circular urban structure, that in its shape reminds the Copernican heliocentric model (Copernican Revolution), and constructing a cross with the trajectory of the Sun.

Katya EV & Hanna Zubkova, performance "Axe de Révolution", 2014: Route of the performance: tourist map of Moscow, 120 x 90 cm, pen, 2016
Katya Ev & Hanna Zubkova, performance "Axe de Révolution", 2014: Three-dimentional model showing the mouvement of the artists in relation to the mouvement of the Sun, 2014

Route of the performance: 45 km 

(the most direct route from north to south, as dictated by the existing roads), 2014

Three-dimensional model depicting the mouvement of the artists in relation to the mouvement of the Sun, 2014

Axe de Révolution serves as a powerful example of an abstract performance [...]  a pure semantic entity, that originated in the specific context and only gains its emotional intensity and meaning in relation to it. After extreme tightening of the internal politics, and return of state violence in 2011, 2014 became the point of no return in the contemporary Russian history. In the heat of war in Ukraine, it became clear that the country has taken the direction of repressive state, the beginning of return to the USSR’s politics of propaganda, state lies, blindness, isolation and nationalism. At this moment in history, two women, carrying a heavy iron beam through the streets of the Russian capital reference at once several layers of political, historical and cultural reality: a famous episode of Vladimir Lenin’s biography — carrying a beam together with the workers on the 1st May, 1920; the routine of construction works in contemporary Moscow landscape; the power relations structured by the city planning. In the climate of hysteria and paranoia that took over the mainstream media reality, the performance was perceived by many as a political protest action. It touched the nerve, provoked fear of another revolt, another anti-state action. A number of journalists, including the ones from state television, normally ignorant to contemporary art, arrived to cover the procession [...]". Katya Krupennikova, The End of the World, Centro Pecci, Prato (It), 2016​​, p. 352-353

>> full version

"The artist Nikita Alekseev aptly remarked that if they had carried a round pipe, everyone would have thought that the action was about the oil empire, but here was such a square thing: although it was a pipe, it was not quite the same. Expectations were deceived, hence a kind of resentment [...] The name of the performance was ‘Revolutionary Axis’, and everyone was expecting a revolution, but nothing like that happened either - just a deliberately incorrect translation of the French 'axe de révolution' : ‘axis of rotation’. Sergey Guskov, «Katya Ev and Hanna Zubkova. To roll out performance after performance», Aroundart, Nov 25, 2014

Cultural references:​​​​​

Vladimir Lenin at post-revolution construction works in Kremlin after the October Revolution

Google search "Vladimir Lenin and a beam"

Image: V. Ivanov, Lenin at the Saturday Work Day (1920, oil on canvas, 142 × 111 cm) refers to a mythologized episode of Lenin heroically carrying a beam alongside workers during post-October Revolution construction in the Kremlin on May 1st, 1920. It gave origin to a diverse visual iconography of "Lenin with a beam" that was used extensively by Soviet propaganda. 

Nicolaus Copernicus, On the Revolutions of the Heavenly Spheres, Original 1543 Nuremberg edition, 1543
Leonid Pavlov, The draft General Plan of Moscow urban development (USSR, 1966), inspired by Le Corbusier's lecture in Moscow (1930)

Nicolaus Copernicus, On the Revolutions of the Heavenly Spheres, Original Nuremberg edition, 1543

Leonid Pavlov, The draft General Plan of Moscow urban development (USSR, 1966), inspired by Le Corbusier's lecture in Moscow (1930)

IMG_5365.JPG

Katya Ev: Image of a typical Moscow fence (2014). These fences, omnipresent in public space, cut through and divide the urban fabric of Moscow. Most are made of hastily welded metal bars—exactly like the one carried in the performance. >>more here

Bibliography

 

2022 Cassandre Langlois, "Conversation between Cassandre Langlois and Katya Ev", exh. Tout dans le cabinet mental, Le Credac, Ivry (Fr)

2020 Bart De Baere, "A Conversation Between Katya Ev and Bart De Baere", M HKA library, cat. In a Long Blink of an Eye, HISK (Be)

2020  "Curated", New East Digital Archive https://www.new-east-archive.org/katya-ev-curated-russia-z

2020  Sofie Crabbé, "HISK Open Studios 2020", HART Magazine, 18-21 Sept, 2020 (Be) 

https://archief.glean.art/expo/hisk-open-studios-2020

​2018   Georgy Litichevsky, "Time Of History", Moscow Art Magazine #104, Moscow (Ru) 

2018   Aurelia Declercq, "Katya Ev - Etat d'Exception", Point Contemporain (Fr)

2016   Donna Haraway, "Anthropocene, Capitalocene, Plantatiocene, Ctouloucene : creating a tribe", Moscow Art Magazine, №99, 2016 (Ru) 

https://moscowartmagazine.com/issue/39/article/771

​2016   Katia Krupennikova, "Axe de Révolution", cat.The End Of The World, Prato (It)

2016   Sergey Guskov, «Russian on Foot», Kommersant n°13, April 23, 2016, Moscow (Ru): print & https://www.kommersant.ru/doc/2963461

2016   Pia Capelli, "Beginning of the world", Artforum, last seen 01/09/2018 on artforum.com

​2015   cat. Metageography, National Tretyakov Gallery, Moscow (Ru)

2015   nominations of Kandinsky Prize (Ru) https://www.kandinsky-prize.ru/vasileva-zubkova2015/?lang=en

2014   Sergey Guskov, «Ekaterina Vasilyeva and Hanna Zubkova. To roll out performance after performance», Aroundart, Nov 25, 2014 (Ru) 

http://aroundart.org/2014/11/25/vasilieva-zubkova/

2014   Sergey Guskov, «Personal Efforts. The most interesting in russian art over the summerColta, Sept 2, 2014 (Ru) https://www.colta.ru/articles/art/4470-lichnye-usiliya

2014  Andrey Levkin, "Moscow political actionism turns inside", Art Territory (Ru), Aug 18, 2014 https://arterritory.com/ru/vizualnoe_iskusstvo/recenzii/11372-moskovskii_akcionizm_svernul_vnutr/

2014   Olga Kabanova, «Ekaterina Vasilyeva and Hanna Zubkova crossed Moscow with a pipe for the sake of art", Vedomosty (Ru), Aug 13, 2014: print & online

https://www.vedomosti.ru/lifestyle/articles/2014/08/13/trubu-nesut-iskusstva-radi

2014   Alexandra Guzeva, "Russian women carry giant tube across Moscow in revolutionary art stunt", Russia Beyond, Aug 13, 2014 https://www.rbth.com/arts/2014/08/13/russian_women_carry_giant_tube_across_moscow_in_revolutionary_art_stunt_38981.html

2014   "In Moscow, a beam has become the world's axis", Metro News (Ru), Aug 11, 2014: print & https://www.metronews.ru/novosti/moscow/reviews/v-moskve-balku-sdelali-mirovoy-osyu-1151530/

2014   "Unususal performance takes place in Moscow", Echo Moskvi (radio podcast), last seen http://echo.msk.ru on Sept 1, 2018 

2014  Anna Gusarova, "What you're bringing. Trying to understand contemporary art", Snob (Ru), Aug 12, 2014 https://snob.ru/selected/entry/79627/

2014 "Artists Ganna Zubkova and Ekaterina Vasilyeva on how they carried the pipe around Moscow", The Village (Ru), Aug 12, 2014 https://www.the-village.ru/city/situation-comment/162483-vsem-truba?from=infinite_scroll

2014 "A performance called “Axe de Révolution” is taking place in the capital cityThe Art Newspaper (Ru), Aug, 11, 2014  https://www.theartnewspaper.ru/posts/723/

2014 “Revolutionary Axis” walks across Moscow - two Russian artists will carry a 13-kilogram beam across the capital city", WikiNews (Ru), Aug 11, 2014

2014, "Axe de Révolution”. Performance by Ekaterina Vasilyeva and Hanna Zubkova" Artuzel (Ru), Aug 9, 2014  https://artuzel.com/content/revolyucionnaya-os-performans-ekateriny-vasilevoy-i-ganny-zubkovoy

2014 Alexander Pevak, «Russian Artists abroad», Theory and Practice, 2014,

http://theoryandpractice.ru, last seen on 01/09/2020

Katya Ev & Hanna Zubkova, performance "Axe de Révolution (2014) "In Moscow, a beam has become the world's axis", Metro News (Ru), Aug 11, 2014
Katya Ev & Hanna Zubkova, performance "Axe de Révolution, 2014: "They crossed Moscow with a pipe for the sake of art", Vedomosty (Ru), Aug 13, 2014
​Katya Ev & Hanna Zubkova , performance "Axe de Révolution, 2014: "Russian women carry giant tube across Moscow in revolutionary art stunt", Russia Beyond, Aug 13, 2014

Exhibitions 

2021  Tarot Edition, 019, Gent (Be)

2018  Etat d'Exception. À Oksana, Galerie Dix9, Paris (Fr), solo show

2017  Persistent in changing nothing: revolution by political profanes, Galerie Mansart, Paris (Fr)

2016 The End of the World, Center for Contemporary Art Luigi Pecci, Prato, (It)

2016  Axe de Révolution, Galerie Nivet - Carzon, Paris (Fr), duo show w/ Hanna Zubkova

2016  Traduire c'est trahir, Galerie Nivet-Carzon, Paris (Fr)

2014  Piece for Resistance. Deaf Dialogue on Revolution, Gallery Elektrozavod, Moscow (Ru), duo show w/ Hanna Zubkova

Credits:

co-autors & performers: Katya Ev (Ekaterina Vasilyeva), Hanna Zubkova

artistic research (2012/2014): Katya Ev

dramaturgical advice: Dima Fillipov, Arseny Barsky-Korol, Andrey Erofeev

production: residency and support from artist-run Gallery Elektrozavod (Moscow, Ru)

Related artworks: Axe de Révolution (body of works)

revolutionaxis_10.jpg

film based on live performance Axe de Révolution, 2014

IMG_7560.HEIC
revolutionaxis_1_edited.jpg

photographies based on live performance 

Axe de Révolution, 2014

DSCF9126_edited.jpg

score (statement) of live performance Axe de Révolution, email, 2017

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Axe de Révolution. Zéro, iron profile, map, 2018

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Untitled (Axe de Révolution), print edition, 2016

IMG_0045.JPG

Axe (de) Révolu(tion), 

neon, 2014/2018

XIX The Sun, tarot card, 2021

Exhibition of Axe de Révolution (selection)

DSCF7094.JPG

exhibition Etat d'Exception, Galerie Dix9, Paris (Fr), 2018

DSCF9147.JPG

exhibition Persistent in changing nothing: revolution by political profanes, Galerie Mansart, Paris (Fr), 2017

IMG_4505.jpg

exhibition The End of the World, Centro Pecci, Prato (It), 2016

Act1.2.jpg

exhibition Piece for Resistance. Deaf Dialogue on Revolution, Gallery Elektrozavod, Moscow (Ru), 2014

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