Ne rien faire contre rémunération
live performance: device conceived for the use of the audience, incl. payments & legal agreements
2022
1 + 1AP
Courtesy of the artist
ph Katya Ev, Maxence Debry
Commissioned for the exhibition Entretenir vaut mieux, New Space, Liege (Be) - duo show with Marc Buchy
curated by Dorothée Duvivier
produced with support of Fédération Wallonie-Bruxelles (Be)
Exhibition view: Entretenir vaut mieux, New Space, Liege (Be), curated by Dorothée Duvivier
" At New Space in Liege, Katya Ev brings an iteration of the performance Visitors of an Exhibition Space are Suggested to 'Do Nothing' [...] dealing with the neoliberal codes and those of an institutional contemporary art event, holding the middle ground between a gallery space and the aesthetics of a start-up. Visitors, by signing a contract in which they committed to doing nothing for at least an hour, could sit in a comfortable chair made available for a minimum hourly wage (10.25 euros gross per hour), after which they received a paycheck. 'Initially it was a response to the pressure of surproduction, including artists. By having a contract and a paycheck, I make that this ends up in the national archives,' the artist said.
In Liege, the new version of the performance, now called Ne rien faire contre rémunération takes into account the working-class neighborhood, history of the exhibition venue - a former garage - and appeals to a different audience. The artist distributes in the city posters ans stickers saying 'Ne rien faire contre rémunération' (Do nothing for a fee) and a phone number. Katya Ev clarifies: "[...] It is about deconstructing the idea that 'doing nothing' is a waste of time, which is radically opposed here to the idea of otium advocated by ancient philosophy and then widely developed in Western thought: an aristocratic privilege obtained through the exploitation of others. Katya Ev: "By assigning a symbolic value - through a financial value - this performance offers someone time and space to be themselves. And that question of rental is a knot, it's all or nothing." Colette Dubois, 'Entretenir vaut mieux, Marc Buchy and Katya Ev', HART Magazine n°223 (Be)
Applicable law & regulations: Belgian
Compensation rate: local minimum hourly wages each full hour of 'doing nothing' — €10,25 (upon the Collective labour agreement n° 43 of the National Labour Council). On Sundays and national holidays the compensation is 200% — €20,50
Hours available for 'doing nothing' : 200 hours
Visitors: 250
Participants who signed the contract for 'doing nothing': 43
Shortest duration of 'doing nothing' : 1 hour
Longest duration of 'doing nothing': 6 hours
Paid hours : 56
Total duration of 'doing nothing' by all participants : 112 hours and 10 minutes
Breach(es) of the contract: 0
Who paid for 'doing nothing'?: Fédération Wallonie Bruxelless, Belgium
Who was the counter-party of the "contract"? Ekaterina Vasilyeva (administrative alter-ego of the artist)
display campaign in public space Ne rien faire contre rémunération
streets of Liege (Be) – Art au Centre#8, 2022
Credits
Idea & dramaturgy: Katya Ev & Azad Asifovich
Legal conception & draft of the contract: Katya Ev & Julie Van Elslande (Jubilee, Be)
Discursive frame —copyright: Katya Ev, Mélanie Weill, Jesse Van Winden (Jubilee, Be)
Scenography: Katya Ev, touche_touche
Casting & direction: Katya Ev
Graphic design for the contracts: Katya Ev
Bibliography
2022. Colette Dubois, 'Entretenir vaut mieux, Marc Buchy and Katya Ev', HART Magazine n°223 (Be)
2022 Pascale Viscardy, 'Entretenir vaut mieux', Flux News #88 (Be)
2022 cat. Art au Centre #8, Liège (Be)
2022 Conversation with Cassandre Langlois - exhibition Tout dans le cabinet mental, Le Credac, Ivry (Fr)
Related artworks & performance documentation
film Nothing /Doing_Axelle Peduzi, based on live performance
Ne rien faire contre rémunération, 2022
photographs based on live performance Ne rien faire contre rémunération, 2022
display campaign in public space, streets of Liege (Be), 2022
___________ (RIEN), paint on wall, 2022
artist's edition: legal agreement for self-performance
2022
Performance activations
live performance, Visitors of an Exhibition Space,
2021