Long reads, critical texts
2023 Lotte Bode, "Conversation with Katya Ev, Kobe Matthys (Agency) and Lotte Bode (MHKA)", Stories and Threads. Perspectives on Art Archives, L'internationale, 2022, pp. 269 - 282
2022 Cassandre Langlois, "Conversation between Katya Ev & Cassandre Langlois", exh. Tout dans le cabinet mental, Le Credac, Ivry (Fr)
HART Magazine n°223 (Be), Colette Dubois, 'Entretenir vaut mieux, Marc Buchy and Katya Ev'
Flux News #88 (BE), Pascale Viscardy, 'Entretenir vaut mieux'
2021 Steyn Bergs, Nothing / Doing: On Visitors of an Exhibition Space are Suggested to ‘Do Nothing’, TIM Magazine #2 (EN)
Claire Contamine, Visitors: Ne Rien Faire, Tout Gagner, Art Même #84 (FR)
2020 Bart De Baere, "A Conversation Between Katya Ev and Bart De Baere", MHKA library — cat. In a Long Blink of an Eye, HISK (Be), pp. 19-24
Katerina Gregos, Untitled (on Katya Ev)
John C. Welchman, En Garde, cat. From Scratch To Scratch (EN)
Leslie Veisse, Please, come and sit. On 'Visitors of an Exhibition Space Are Suggested to 'Do Nothing' (FR)
2019 Elena Sorokina, (Le plus objets des objets), for Sciences Po Prize 2019 (EN)
2018 Aurelia Declercq, Katya Ev, Etat d'Exception, 2018 (FR)
Fabrizio Donnini Ferretti, About Katya Ev, for the prize of Palais de Tokyo, 2018 (FR)
Mélanie Weil, Katya Ev, 2018 (EN)
Claire Contamine, To Hear With Eyes - Palais de Tokyo, Do Disturb, 2018 (FR)
Katia Krupennikova, Augenmusik, 2018 (EN)
Olga Deruygina, The Fragility of the Boundary. On Iceberg. Blue Room, 2018 (RU)
Ivan Isaev, Iceberg. Blue Room, 2018 (EN, FR, RU)
2016 Katia Krupennikova, Axe de Révolution, cat. The End Of The World, Centro Pecci, 2016 (EN, FR)
Azad Asifovich, To Hear With Eyes, Nuit Blanche 2016 (EN, FR)
Jérémy André, Augenmusik, 2016 (EN, FR)
2015 Hannah Liebert Kreile, "Moi, je joue", cat. Là où nous sommes, collectif Marcel, Paris, 2015 (EN, FR)
Katya Ev, "Gifts. Play Modules", cat. Beauty Of Disgraceful, 2014 (EN, FR, RU)
Texts by Katya Ev
"Doing Nothing", published in The Fair Kin Arts Almanach, State of Arts (Be), 2023
"Visitors of an Exhibition Space" (artist's text to the performance), published in TIM Magazine #2 (Be), pp. 81-92, 2021
"Visitors of an Exhibition Space" (contract for performance)
"Visitors of an Exhibition Space" (contract for self-performance)
One Might Dare to Say, signed by a pseudonyme Prestine Geed— in collaboration with Aurélia Declercq, published in Flux News #81, 2019
Le Plus Objet des Objets (dialogue in a museum)
Augenmusik (performance score)
Axe de Révolution. Manifesto for the performance — in collaboration with Hanna Zubkova, Aug 11, 2014